Requisites of Life

The view from 30,000 feet above the Grand Canyon belies simplicity. By the time you’ve sipped your gin & tonic, and punched out a perfunctory work email, your sleek winged aluminum tube has left that distant earth scar behind in a hazy contrail.

But to go there and descend into this vast stone-strata-time-machine, carved for millennia, is to deeply connect to geology that is vast, complex, and confounding. The terrain is alive and every footfall a small act of faith, “Will this boulder roll and throw me, will this same hold I just barely pulled on now support my body weight, will the slick unroped edge fold me down into nothingness?”

Danny and Doom, my compatriots on this seven day pack-rafting, canyoneering, peak bagging, rock climbing journey are like idle dogs who sleep until they can run amok. As the sun sets, we arrive at the canyon rim and soon we are hustling below, nipping at one another’s heels. A brief pelting rain produces an impossibly huge, iridescent, double rainbow, from Mile 150 to Mt Sinyella. We dub it the “insanebow”, and a very auspicious omen. We scan for faint trails, from man and beast, and it’s often a jumble of boulders- around, under, over, in this place it’s always up and down. We discover the clues for the way forward as they will be, just as crucially, the keys to the way back.

“Where did we put the keys?”

What drives one to voluntarily suffer, to be #pooronpurpose and board the elective shipwreck, the place of immediate rations and endless toil? Perhaps to rehearse “end times” is to prepare for them, in that if you choose hard now, you will know its knock when it naturally arrives.

We go to the Canyon to reveal moments of transcendence, the sinuous narrows like silhouettes of hips and breast, a landscape that unravels me as I travel deeper into its intricacies, and mostly it’s to perform the requisites of life, that one breath, one sip, one bite amongst the rigors of wilderness- one step, one moment, one life, forever.

Timmy O’Neill is a professional rock climber, fun-hog and co-founder of Paradox Sports, a non-profit dedicated to providing inspiration, opportunities and adaptive equipment to the disabled community. You can follow his adventures at @timmyoneill

Steve Fassbinder (A.K.A. “Doom”) is a rabid adventure storyteller and frequent contributor to Seek and Enjoy. For more of his work, check out The Republic of Doom.

The Trail to Kazbegi

What happens when four like-minded adventurers head into one of the world’s wildest mountain ranges with nothing but their mountain bikes and enough food to survive for 10 days?

What doesn’t happen?

Terrifying lightning storms. Raging-river crossings. Snow-covered glacial pass traverses. Mind-melting descents. Constant fights with vicious dogs. Tense encounters with over-zealous border-patrol guards.

All of the above were just another day following “The Trail to Kazbegi,” a self-supported mountain-bike mission through the highest reaches of the Caucasus Mountains in the former Soviet Republic of Georgia. Our four-man team—adventure filmmaker Joey Schusler, Bike Magazine editor Brice Minnigh, photographer Ross Measures, and mountain man Sam Seward—spent half of June 2015 exploring the crown jewels of the Georgian High Caucasus on a feature assignment for Bike.

Along the way, our crew overcame countless obstacles and experienced some of the most spectacular scenery and trails they had ever encountered. They also were treated to the unparalleled hospitality of the Georgian people and the benign indifference of the elements on their quest to reach the magnificent Mount Kazbek. In the process, they cemented lasting friendships and proved, yet again, that life is simply better outdoors.

Joey Schusler is a Colorado-based photographer and filmmaker who splits his time between mountain biking and skiing when not in the editing booth. For an expanded, multimedia experience of this trip, check out the complete Bike Magazine feature and/or the accompanied short film, The Trail To Kazbegi.

Documentation

I started shooting whitewater sports in 2010, documenting newly acquainted friends paddling the Payette River. I saw them swim, laugh, and learn all from the shore where I stood. Three years later, I myself started to paddle and engage in learning the art of kayaking. Then it became clear; the people I was paddling with influenced me. I starting learning to get over fears, observe nature, and to embrace moments. Moments, like waves, ebb and flow- high and low. Moments which teach us about each other, our own self, and the world of which we are all a part.

I have seen moments of triumph, styling rapids and overcoming mental battles. I have seen moments of defeat, which does not halt the mind or body for long, it’s in a sense motivation. In contrast, I’ve seen bliss, simply being able to enjoy a run for what it is. I have seen perseverance; hiking through bush to paddle a waterfall with no telling if it was good to run. I have seen reverence and reflection: elders passing on patience and knowledge to benefit the foundation of the next river experience. I have observed new friendships being born, a web that continues to grow. I have witnessed the drive within; the want to explore and experience places new and old with the people you trust.

I have documented the prideful energy this small paddling community has for being some of the world’s best travelers and athletes. There’s a magic withheld in the cracks and canyons of the world. Bonds form and nature prevails as the be-all end-all drive to live and learn. It’s hard to beat the moments of experiencing a river and the people who come along with it.

John Webster is an Idaho-based adventure photographer and videographer. You can follow his travels and work @johnjwebster and the Webster Media House.

Sin Barreras

The feeling has left my hands. It’s farther away than the car, farther than the tea and whiskey in my thermos. It’s long gone, and since I can no longer feel them, I have to trust that my fingers are still wrapped around my paddle.

Despite my best efforts to stay upright, my kayak tips over and the space behind my eyes lights up when my face hits the water. I’m suddenly aware of the matter inside my skull, the pieces of my head I don’t feel when the temperature is reasonable. It’s fall-turning-to-winter up here, and in a few weeks I’ll go to the equator, to warmer waters that don’t steal the sensation from my fingers, to warmer air that doesn’t burn my lungs when I breathe too deep. And once the heat thaws me, I will pour myself into work, which, for now, is an attempt to prove the inherent value of a free-flowing Amazonian tributary.

Up north, the water is heavy with sediment and it scours my ever-numb hands. Swimming black bears have pawed at the bow of my boat. Chinook salmon shimmer as they leap, attaining the impossible, always moving upstream. Down there, on the equator, there are butterflies and ancient languages and feral forest voices I’ll never be able to identify.

Why does a far-away river matter so much?

Perhaps it’s because we’re taught as kids that the Amazon is our planet’s lungs, and when we see that forest burn, we raise our palms to our own chests; maybe we breathe a little deeper. Maybe it’s because the rainforest is so vastly different from the boreal forest and tundra I grew up on and I can’t bear to see either of them go.

The rivers that flow into and through the Amazon Basin quench the burning; they keep the smoke from stagnating so the respirations may persist.

Maybe it’s a matter of privilege: I’ve enjoyed the time and resources necessary to experience things opposite my reality, to know rivers far from my home. I can compare and analyze and breathe as deeply as I want. We don’t all claim those luxuries. Or maybe it’s because it is there, as it is here, just water moving downhill, day by day, down to the ultimate sea. And if it matters here, then it matters there, and I desperately want it to affect the parts of my head and my heart that I can’t otherwise feel, and I’m in love with it all, everywhere.

Chandra Brown is an Alaska-born river guide and writer currently based in Missoula, Montana. She is co-organizer of Jondachi Fest, a grass-roots kayak race and community river festival in celebration of the Jondachi River in Ecuador. 

A. Andis is a conservationist, paddler, and photographer. See more of his work at NunatakDesign.com.

To The Grand

It was time to go somewhere new. We craved inspiration. There is no greater feeling than being so alive and full of fire. We were born to roam.

The only plan we had was to not have a plan. To just go, and take whatever road or trail looked like it led to something beautiful. To discover the natural surroundings that made us feel alive. These were the moments that inspired us to take this leap in to the wild back country of beautiful Wyoming. The valleys and lakes were just as amazing as the mountain tops. It was a chance to think about life. What we are doing right, what we are doing wrong.

We couldn’t believe we were immersed in a place we only read about and seen in pictures. It wasn’t a dream anymore. It was real.

Serge Skiba and Steve Yocom are North Carolina-based adventure photographers. For more of their work, check out their websites, earthcaptured.com and steveyocomphotography.com.

Personal Teleportation

I am drawn to torn photos, well-loved maps, and inconsequential sticky notes that tell a story of a moment in time past. I have boxes of map collections, folders of photo journals, and notebooks of newspaper and wrappers that in my mind, tell important stories. These tactile mementos are my personal teleportation devices, and if I put the right energy into them, I can transport other people with me.

I am an artist, adventurer, rock climber, and blissfully happy person who has found an immeasurable amount of joy in the art of visual story telling. I collect hundreds of photos and memories that often span years if not decades and arrange them on large-scale boards, painting and sculpting one larger universal image over the top that encompasses the essence of the finer detail images.

By using my personal collections, online archives, and social media, I am able to collaborate with a wide audience and create more full, robust stories than I could ever create on my own. The inherent beauty in this kind of work is its accessibility, outreach potential, and cultivation of personal connection.

My current project with Smith Rock State Park has over 850 community photos as its base and will be sold in early 2016, having 100% of the profits go back to the park.

Meg Kahnle is a world traveler, trained graphic designer, painter, rock climber, and passionate community-oriented artist. To learn more about her current Smith Rock project, check out her website, www.connectwithmeg.com.

A Balanced Climb

I never chose to be an athlete. It is simply the way I am. As a child, I always felt a drive to push myself physically, be it through an organized sport or simply running around with friends, exploring the fields and hills where I grew up in Southern California.

When I was introduced to Rock Climbing over 25 years ago, I was instantly hooked.  From then on, climbing was incorporated into every area of my life – from scheduling classes around my climbing trips, to doing my homework between pull-up sessions on the Rock Rings that I hung from the rafters of my parent’s garage.

Becoming a “professional rock climber” just happened, it was never planned. This profession has taken me all over the world through a variety of climbing trips. I have spent a good deal of my time Exploring and training in the Sierra Nevada Mountains of California. I have alpine climbed in Patagonia, developed new bouldering areas in South Africa, and also competed in climbing competitions locally in the United States and in more exotic places like Italy, Korea, and Chile.

I have come to realize that for me, exploring does not just mean to go out to see and experience new places. Exploring the physical capabilities of my body through athleticism is just as important to me as exploring new places. I cannot substitute one for the other, but must keep the balance of both in my life in order to feel content and complete as a person.

Lisa Rands is a professional rock climber and climbing instructor who calls Chattanooga, TN home. For more on Lisa’s travels and climbing, check out lisarands.com.

The Art of Appreciation

In the early part of 2013, I led a 3-man team in an unsupported walk across the Arabian Desert. We pulled a cart weighing 900 pounds and walked for 40 days, filling up water at 3 wells on route, but carrying everything else with us. We operated under a self-imposed set of rules. That is, to walk unsupported and unassisted. This meant no one could offer any help in any form, and everything had to be carried from the start, with the proviso of water.

Within a week, we were dehydrated and dreaming of water. Our daily ration of 10 pints each was simply not enough. But there was no other way. As the days went by, the ‘dreaming’ became obsessing. Not a moment went by without the thought of water in its myriad forms. I thought of cool mountain streams where I had learnt to rock climb, deep blue oceans, the fridge, a running tap, the sound of a toilet, an afternoon thunderstorm and playing football without a shirt, and the water smashing down on my skin on a hot day. I would look left and right, searching for an oasis. An old discarded water bottle cast out in the sand would grip my attention for minutes as we labored past, staring, hoping beyond hope that there just might be a drop. But it was all in vain.

Some nights I would wake and find my tongue had slid out my mouth, like an old lizard in search of something wet. Dry and cracked, I would milk it back to life with my lips and slip back into the night. There was no respite. No afternoon storm to quell the growing thirst and deep concern that we might just be in trouble. Time and again I promised myself never, but never, to take water for granted. I made elaborate plans and schemes to stretch out and savor the drinking of a bottle of cool water. I tried to etch it in my memory so I would never forget.

After 40 days we rolled into the Park Hyatt in Dubai and downed a burning Pepsi. More followed, then bottles of water, whisky, chocolate milkshake, then beer, all to celebrate. In the days and weeks that followed, I found, sadly, that water quickly lost its mythical appeal. I tried hard to think back and savor it as I sipped it in the comfort of my home. And then it struck. The obsessive passion; the zeal with which I thought about water existed only because of the absence of it. The two, ironically, were mutually exclusive. They could never co-exist in the same moment. I could never savor it now like I did when I did not have it. But not a moment goes by when I sip some water and I don’t think back to those dark, dry days in the desert.

Our lives are simply too tame to really understand the privilege of having. You need to get out. Go do something. Go explore somewhere where you wont have, where you’ve never been.

South African-based Alex Harris has climbed the seven summits (the highest mountain on all seven continents), and became the first African to walk unsupported to the South Pole. Under his brand Xplore, Alex offers guided experiences, coaching and speaking engagements.

People of the Bike

The extended network of amazing humans that I have garnered and been exposed to by bike touring has become the most important thing that I have built in my life.  These people and their stories are ones I tell very often and to this day affect the way I live. To say they have changed my life would be an understatement.  So, I am here to encourage you to slow down, stop and talk to people, meet the locals, drink a beer, have a milkshake, take their photo, or don’t.  Listen to their story, and maybe tell yours as well. It just may change your life.

Spencer Harding is a Los Angeles, CA based photographer/artist who enjoys riding bikes. For more of his work, check out spencerjharding.com

Becoming Edible

When I’m moving through mountains on foot, I sometimes imagine that I’m knocking with my feet on the soil below, knock-knock-knocking with every foot strike like knuckles rapping on a padlocked portal made of earth and rock and gravity. With every knock, I imagine asking the dirt underfoot, “Am I worthy of returning yet?” Now I’m not wishing to die; it’s more that I wish fiercely to live.

Perhaps it’s because, with a regular practice of trail running, our soft animal bodies swing life and limb so intimately close to earth’s cadence. Perhaps it’s written calligraphically into respiration and lactic acid rise paired with a planet that roars past us and right through us, stinging our retinas as we dash along singletracks of the unasphalted, the unmodified, the untamed.

So I ask, as deep ecologist and poet Gary Snyder once did: How edible am I?

Am I giving back to the planet a body that’s been unused, atrophied from couches and cages, repressed with anger and narcissism and conformity? No, I wish that feast upon nobody. Instead, I aim to be as edible as possible, to be worthy of that inevitable return to earth. After all, gravity always wins.

With every wilderness outing, I attempt to discover more humility, more insight into the ways this planet revolves and evolves, churns and composts itself anew. I try and honor those who lived here before me, and to fight for protecting the last honest places for posterity. Because when it finally comes time for that stuff beneath the mountains to let me back in again, I aspire to return to the soil at least, mildly, palatable.

So I keep running. I keep knocking. I keep living.

Nick Triolo is a writer, filmmaker, activist, and sponsored ultrarunner living in Missoula, Montana. He’s run across the Baja peninsula in a day, finished sub-19 hours at Western States 100, and has won the Oregon Trail Series. Learn more about Nick’s projects at the Jasmine Dialogues Blog.